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Artist Spotlight: Margaret Patterson

September 06, 2019
Alpha Media
Windblown Trees. Color woodcut, c.1920.

 

Margaret Jordan Patterson began her formal art studies at Pratt Institute with Arthur Wesley Dow in 1895. As was the case for many artists working at the turn of the century, her interests eventually took her to Europe. Throughout her lifetime Patterson returned to Europe for extended stays in Italy and France.

It was in Paris that she learned to make color woodcuts from American artist Ethel Mars. Creating her first prints in 1911, Patterson originally used color woodcuts as a way to reproduce her paintings. Eventually, the tables turned and her watercolors served as preliminary studies for her prints. She made very exacting studies in which color and composition were worked out before transferring the work to the woodblock. Patterson had great skill in manipulating the inking and printing of woodblocks.  She frequently printed with a lavender blue key block (or major color element) instead of the more traditional black. The muted tones soften the outlines between colors, achieving a more harmonious color scheme. 

 

 

 

 

 

 

 

 

During World War I Patterson served as the director of the art department at a girls' school in Wellesley, Massachusetts. She also taught art in public schools in Boston, Massachusetts, and Portsmouth, New Hampshire. In the 1930s still-lives began to supplant landscapes as her main subject. In her still-lives, Patterson further explored the relationship between color and form. While the pieces were by no means abstract, they relied less on the subject matter and more on the formal elements of composition.

 

 

 

 

 

 

 

 

 

 

Patterson had a number of exhibitions in Paris in the nineteen-teens. Later in life, she exhibited in both Boston and New York. Among her awards was an honorable mention at the Panama-Pacific International Exposition in San Francisco in 1915 and a medal from the Philadelphia Watercolor Club in 1939. Today Patterson's work is included in the collections of the Metropolitan Museum of Art, the Victoria and Albert Museum, the Cleveland Art Museum and the Oakland Art Museum.  –  JWL Collection

 

To see more work by Margaret Patterson, please visit her artist page.

 

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